“Rachel Sussman - 'the eternal connector of all good people'..." - The New York Times
Photo by Laurie Tennent
RACHEL SUSSMAN is a Tony Award-nominated creative producer committed to cultivating dynamic, inclusive theatrical work through meaningful collaboration.
She is a co-founder of The MITTEN Lab, an emerging artist residency program in her native state of Michigan focused on cultivating the next generation of theatre artists. She is also a co-founder of The Business of Broadway, a new educational venture with the aim of democratizing commercial producing knowledge in an effort to develop more transparency between artists and producers. She has been a guest lecturer and educator at The New School, Fordham University, New York University, and Interlochen Arts Academy, among others. She is currently an Adjunct Assistant Professor in Theatre at Columbia University School of the Arts.
Rachel has worked with such companies as Audible Theater, The Sundance Institute Theatre Lab, Second Stage Theatre, 321 Theatrical Management, RKO Stage, Goodspeed Musicals' Mercer Colony, the New York Musical Festival (NYMF), Lincoln Center's American Songbook, and CREATE-Ireland in Dublin, Ireland. Broadway and national tour: Co-producer on Heidi Schreck's Pulitzer Prize finalist and Tony Award-nominated play, What the Constitution Means to Me. Other producing credits include the Obie Award-winning production of The Woodsman (New World Stages/59E59), Saturday Night Seder (Story Course), Eh Dah? Questions for My Father (Next Door at NYTW), Endlings (NYTW), Love in Hate Nation (Two River Theater), The Rug Dealer (Women's Project Pipeline Festival), The Sweetest Life (New Victory LabWorks), and Talk to me about Shame (FringeNYC, Overall Excellence Award). In development: Suffragist by Shaina Taub, Devotion by Mark Sonnenblick.
With a passion for creating space at the intersection of art and social justice, she has produced and participated in theatrical events supporting organizations such as Donor Direct Action, The Global Poverty Project, Covenant House International, TDF Open Doors, Safe Horizon, The Actors Fund's Phyllis Newman Women's Health Initiative, She Should Run, Everytown, the ACLU/NYCLU, the Marjory Stoneman Douglas Victims Fund and Shine MSD, March For Our Lives, and recently the CDC Foundation's Coronavirus Emergency Response Fund. She is a proud member of the Covenant House Sleep Out: Stage and Screen Executive Committee, a Broadway Ambassador for the New York Civil Liberties Union (NYCLU), a member of Broadway Advocacy Coalition's Artist Impact Team, and sits on the Board for WP Theater. She has served on award and grant panels for the National Endowment for the Arts (NEA) and the American Theatre Wing, the Princess Grace Foundation, and the Fred Ebb Award.
A former WP Theater Lab Time Warner Foundation Fellow, Rachel was the recipient of the 2019 Geraldine Stutz T. Fellowship in Creative Producing, founded by Hal Prince in conjunction with Columbia University. She is a graduate of the Commercial Theater Institute (Fred Vogel Scholarship) and a University Honors Scholar alumna of New York University's Tisch School of the Arts.
She is a co-founder of The MITTEN Lab, an emerging artist residency program in her native state of Michigan focused on cultivating the next generation of theatre artists. She is also a co-founder of The Business of Broadway, a new educational venture with the aim of democratizing commercial producing knowledge in an effort to develop more transparency between artists and producers. She has been a guest lecturer and educator at The New School, Fordham University, New York University, and Interlochen Arts Academy, among others. She is currently an Adjunct Assistant Professor in Theatre at Columbia University School of the Arts.
Rachel has worked with such companies as Audible Theater, The Sundance Institute Theatre Lab, Second Stage Theatre, 321 Theatrical Management, RKO Stage, Goodspeed Musicals' Mercer Colony, the New York Musical Festival (NYMF), Lincoln Center's American Songbook, and CREATE-Ireland in Dublin, Ireland. Broadway and national tour: Co-producer on Heidi Schreck's Pulitzer Prize finalist and Tony Award-nominated play, What the Constitution Means to Me. Other producing credits include the Obie Award-winning production of The Woodsman (New World Stages/59E59), Saturday Night Seder (Story Course), Eh Dah? Questions for My Father (Next Door at NYTW), Endlings (NYTW), Love in Hate Nation (Two River Theater), The Rug Dealer (Women's Project Pipeline Festival), The Sweetest Life (New Victory LabWorks), and Talk to me about Shame (FringeNYC, Overall Excellence Award). In development: Suffragist by Shaina Taub, Devotion by Mark Sonnenblick.
With a passion for creating space at the intersection of art and social justice, she has produced and participated in theatrical events supporting organizations such as Donor Direct Action, The Global Poverty Project, Covenant House International, TDF Open Doors, Safe Horizon, The Actors Fund's Phyllis Newman Women's Health Initiative, She Should Run, Everytown, the ACLU/NYCLU, the Marjory Stoneman Douglas Victims Fund and Shine MSD, March For Our Lives, and recently the CDC Foundation's Coronavirus Emergency Response Fund. She is a proud member of the Covenant House Sleep Out: Stage and Screen Executive Committee, a Broadway Ambassador for the New York Civil Liberties Union (NYCLU), a member of Broadway Advocacy Coalition's Artist Impact Team, and sits on the Board for WP Theater. She has served on award and grant panels for the National Endowment for the Arts (NEA) and the American Theatre Wing, the Princess Grace Foundation, and the Fred Ebb Award.
A former WP Theater Lab Time Warner Foundation Fellow, Rachel was the recipient of the 2019 Geraldine Stutz T. Fellowship in Creative Producing, founded by Hal Prince in conjunction with Columbia University. She is a graduate of the Commercial Theater Institute (Fred Vogel Scholarship) and a University Honors Scholar alumna of New York University's Tisch School of the Arts.